1.0Doclisboa 2017http://www.doclisboa.org/2017Comunicaçãohttp://www.doclisboa.org/2017/author/comunicacao/rich600338<blockquote class="wp-embedded-content" data-secret="fl7O7YxXpE"><a href="http://www.doclisboa.org/2017/en/filmes/daisies-2/">Daisies</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="http://www.doclisboa.org/2017/en/filmes/daisies-2/embed/#?secret=fl7O7YxXpE" width="600" height="338" title="“Daisies” — Doclisboa 2017" data-secret="fl7O7YxXpE" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=http://www.doclisboa.org/2017/wp-includes/js/wp-embed.min.js </script> http://www.doclisboa.org/2017/wp-content/uploads/2017/09/daisies.jpg1280853“The film was originally based on my life in the dorms. We decided to show destruction in every sense of the word, not just things and relationships but the entire film image. It was our defense against that destruction happening around us.” Věra Chytilová