The conflict between a young couple serves as a pretext to question the people of Quebec’s coming of age. Groulx’s first feature film includes direct cinema methods in a fiction build with non-professional actors and based on improvisation.
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary. Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.