The famed finale of the 2006 World Cup and all of the events leading up to it emerge in the form of a mystical spectacle. Zidane, Materazzi and 2.5 billion spectators are the heroes of a tale that is delivered as a message to all mankind.
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary.
Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.
