Matriarchies have assembled around the backstrap loom, a weaving Pre-Hispanic technique preserved for centuries by indigenous women in Mesoamerica. La Libertad unfolds like a weaving of figures and gestures constituting this labour.
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary. Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.