Abel Ferrara headlines a series of concerts and a film retrospective in France dedicated to songs and music from his films. Preparations with his family and friends show another side of the cult director.
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary.
Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.
